Karl Schneider (1905–?)Basel, dated 1932H. Schmitz-Meinel / Atelier fur Kunstgeigenbau /Basel 1932. / Gepaut von K. Schneider (printed, paper, back Inside, 'K. Schneider' and '32' completedwith type-writer)conifer (belly); maple, gnarled maple (back, ribs); tropical wood (forepillar harp)peg-box open in the back; six laterally inserted pegs in the back with·screw mechanism 13 frets (fingerboard); six stopped strings, twelve unstopped stringsL. 112 cm, 52,6 cm (belly), 62,5 cm (vibrating stopped strings), 73-91 B cm (vibrating unstopped strings); h. 12-12,8 cm (ribs)Donation Elisabeth Eggenberger, BaselInv. 1999.243.The father-in-law of the donator, Dr. phil. Heinrich Eggenberger Mosimann (1899–1980) played the instrument in joyous company in the teetotaler student fraternity Rhenania.The instrument built in Basel in 1932 gave thereby its long forgotten predecessors, made between 1798 and 1828 in London, a late revival.